Posts from November 2009

Just to clarify from the beginning, his last name is not pronounced “munch” as in to munch on something, it is pronounced “Moonk” with the vowel quickly prounounced, not like “moo” as in a cow moos.  I have heard so many people pronounce it wrong and it just sounds bad, doesn’t it? 

Edvard Munch is one of Norway’s prized artists.  One of his most well known paintings is “Scream,” which you would probably recognize if you take interest in art.  Munch was a symbolist painter, printmaker, lithographer, wood engraver, and one of the forerunners of expressionist art.   Munch’s style of art was a result of the tumultuous times in which he lived (1863-1944) and his own troubled life. 

Edvard had 4 siblings:  one older sister, Johanna Sophie, and 3 younger siblings, Peter Andreas, Inger Marie, and Laura Cathrine.  His mother, also Laura Cathrine, died when Edvard was only 5 years old and his older and favorite sister, Johanna Sophie died when Edvard was 14 years old.  His father, Christian (son of a priest) took care of the children after their mother died.  Edvard saw his father as an extremely nervous and religious man, 2 characteristics to which Edvard attributed his own internal demons.  As a young child, Edvard was in poor physical health, and even then he knew that he suffered from deep sadness and depression.  One of his younger sisters was diagnosed with mental illness at a young age, so it clearly ran in the family. 

At the age of 16, Edvard enrolled in a technical college to study engineering.  While he proved to be quite talented, he left engineering behind and enrolled in the Royal School of Art and Design of Kristiania.  A distant relative, Jacob Munch, was actually one of the founders of the school.  In his early years as a painter, Munch experimented quite a bit with Naturalism and Impressionism.  After a while these forms of art did not allow for enough expression for Munch, so he entered a period of self-reflection, supported especially by the views of Hans Jaeger, a local nihilist, who advocated suicide as a form of freedom of self. 

During his young adult life as an artist, Munch began to binge-drink and get into fights.  His first adventure as an artist took him to Paris where he studied for a brief stint and then returned home to Oslo after his father died.  As you can see, death was prevalent in his life.  Munch’s painting “Scream” is understood by many to represent the universal anxiety of modern humankind.   

Many years later as an adult man, Munch was still drinking heavily and getting into fights.  He began therapy and naturally, his art became more colorful and less depressing.  However, not a decade later brought the arrival of the WWI, which Munch had a hard time with, because most of his friends were German, but it was France that he really loved.  After WWI, many of his Jewish friends had suffered great losses under the Germans during the rise of Nazism.  In addition, Munch suffered, but survived the great Spanish flu pandemic.

Most of Munch’s last years were spent at his estate in Ekely, at Skøyen, Oslo, where his art reflected farm life.  He spent much of his time painting self-portraits of the different stages of his life, which in the 30s and 40s the Nazis deemed unfavorable art.  As a result of Nazi opinions of Munch’s style, much of his work was removed from German museums.  Shortly after his 80th birthday, Munch died in his home, after several years of paranoia about the German occupation of Norway.  The Nazis orchestrated his funeral, and therefore many believed that Munch was a Nazi-sympathizer. 

The city of Oslo bought his estate, with all of his art and built a museum for Munch’s work (the Munch Museum) in Tøyen, Oslo, which opened in 1963.  If I had a choice of going to a history museum, a science museum, or an art museum, the art museum would always be my 3rd choice, but I had a great experience at the Munch Museum.  It’s quite astounding to be in a museum in a small country that is so full and dedicated to one artist-a truly amazing man who produced so much meaningful art.  Check it out!

 

Ice buildings.  Norwegians seem to enjoy creating indoor venues that resemble the outdoors.  And I don’t mean a nice summer day in the woods, I mean ice.  This month Icebar, debuts in Oslo.  Icebar offers a unique experience of Nordic winter in incredible ice surroundings.  The walls, the furniture, the dishware, and even the art are made of ice from from the Torne River in Lapland, Sweden.  In fact, it was in Jukkasjärvi, Sweden that the concept was born with the world’s largest ice hotel.  Icebar in Oslo is the third and largest of it’s kind; there is an icebar in Copenhagen, Denmark and Tokyo, Japan.  Icebar is brought to these countries by Icehotel, the Swedish company that in 1994 brought Absolut Icebar to Sweden (a perfect harmony between creativity and design and pure raw materials).

Morten Thorvaldsen, CEO of Thon Hotels, is proud to be a joint partner with Icehotel to bring Icebar to Oslo.  Thon Hotels is the 3rd largest hotel chain in Norway, and also provides accomodations for visitors to Sweden, Belgium, and Holland.  I’ve stayed in one and it was very nice. 

So this Icebar in Oslo seems like it’s going to be really cool.  The manager, Joachim Langebrekke Larsen, says that it is not the intention that one should “fryse rumpe av seg hele tiden” (freeze one’s *** off).  It will of course be cold, but the idea is not to hang out in the ice room for a very long period of time.  Camilla Gulsett, Thon representative, recommends leaving your stillettos and and skirts at home and dressing more warmly than if you are going out to a vanlig utested (normal place to go out).  But just in case you don’t dress warm enough or if you want to add to the experience, Icebar offers guests warm jackets and thick gloves (so that it’s not painful to hold your ice glasses).  Icebar will also sell hats and other merchandise. 

On the menu, there are cold alcoholic drinks, warm alcoholic drinks, and tapas to snack on.  Instead of “on the rocks,” at Icebar, one says “in the rocks,” jokes Gulsett in a recent Aftenposten online article about the new Icebar opening on Friday in Oslo.  Here is the website if you want to test your Norwegian comprehension and see some neat bilder (pictures): http://oslopuls.aftenposten.no/restaurant_uteliv/article294169.ece

In addition to the new Icebar in Oslo, there are several ice hotels in Norway.  There is the Kirkenes Snow Hotel (located in Kirkenes, close to the Russian border), which features a special dinner cooked over open fire, a husky farm nearby, a sauna, and a reindeer park.  The Ice Lodge is another icy place to stay overnight.  Lastly, the Sorrisniva Igloo Hotel in Alta is the world’s northernmost ice hotel.  I haven’t been to any of these places, but I can’t wait.  It sounds like such a fun experience!

The Viking ships house.  Vikingskipshuset and det Historiske museet (the Historical Museum) form Universitetets Kulturhistoriske museer (the University Museums of Cultural Heritage) under the University of Oslo.  The main attractions at Vikingskipshuset are the famous Viking ships Gokstad (found in Sandefjord), Oseberg (found in Tønsberg), Tune, and Borre (which is a burial mound cemetary)Prior to the building of Vikingskipshuset, the ships were stored in temporary shelters at the University of Oslo.  There was an architectural contest to see who would be chosen to build the permanent home for these ships.  Arnstein Arneberg, one of Norway’s most well-known architects, won the contest and with funding from  Stortinget (Parliament), the hall for the Oseberg ship was built and it was moved in in 1926.  The halls for Gokstad and Tune were completed in 1932.  World War II delayed the building of the last hall until 1957, which houses the majority of the other finds, in large part from the Oseberg ship.

Although there is a lack of artifacts that remain from Vikingtiden (the Viking Age), Vikingskipshuset is home to the majority of remaining artifacts.  Objects found in the museum include sledges, beds, carts (horse carts), wood carvings, jewelry, weapons, and other household items.  It was tradition during that time to bury the dead with grave goods, often in a boat or ship.  Like the ancient Egyptians, the kind of burial depended on the deceased social status.  It was important to send the deceased off into the afterlife with the same kind of social standing that he/she held during life.  Some people of high social standing were buried with slaves.  If you haven’t been to Vikingskipshuset yet, I highly recommend making the visit.  It is breathtaking to see the large ships and imagine how they were built, what it was like to sail them, and the people and places the ships and their crews encountered. 

Vikingskipshuset is located on the Bygdøy peninsula, a 10-minute drive from Oslo Sentrum (the city center of Oslo).  It is very easy to get to, by trikk (tram), bil (car), buss (bus), fot (foot), or drosje (taxi).  The T-bane does not go out to Bygdøy.  Once you are out there on the peninsula, there are other places to visit as well.  The Norwegian Museum of Cultural History, the Kon-Tiki Museum, and The Norwegian Maritime Museum are all in the vicinity.  There are also several nice beaches, including the nude beach that I mentioned in an earlier post (the one that my dad and I stumbled upon).  Enjoy your visit to Bygdøy!

 

Holmenkollen ski jump (in Holmenkollen, Oslo) is one of Oslo’s main attractions, one that you will not want to miss.  It is host to the world’s second oldest ski jump competitition (that stil exists) and home to the oldest ski musuem in the world.  Over 1 million tourists visit the attraction every year.  I lived in Norway for 8 months and I visited it at least 5 times.  Every time I would have visitors stay with me, I would take them there and I think I visited it a couple times by myself just to walk around and relax.  It really is a beautiful place.

The Holmenkollbanen, a railway included in the T-bane system brings visitors to the Holmenkollen station where they get off and walk to the ski jump.  If I remember correctly, the ride from Oslo city center to Holmenkollen is about a half and hour long-it’s a pleasant ride.  The view is incredible-it overlooks the Oslofjord and the city of Oslo.  On a sunny day in the winter, the water from the Oslofjord glitters interacts very nicely with the white snow to produce a very bright and happy glimmer. 

The first competition at Holmenkollen was in January of 1892.  A crowd of 10,000 was in attendence to watch Svein Sollid win the competition by jumping 21.5 meters.  In 1923 the ski museum was opened.  The current tower was built in 1939 and since then, the ski jump has been upgraded 15 times.  Most of the upgrades occurred during the 1952 Winter Olympics.  Holmenkollen has also been host to nearly a dozen other nordic skiing and biathalon world championships. 

The Holmenkollen arena is a venue for cross-country skiing, nordic combined (cross-country and ski jumping), and biathalon skiing (cross-country and rifle shooting-one of the most popular sports in Norway).  Every year Holmenkollen hosts world cup biathalon competitions.  In March every year, Holmenkollen Weekend is an event the features mens 50 km cross-country skiing and the ski jump competition.  Before 2011, Holmenkollen will undergo another upgrade to prepare for the 2011 FIS Nordic World Ski Championships.  The decision to host this event has been a source of much controversy because the current Holmenkollen does not meet the standards to award the event.  Therefore, a lot of expensive changes must be made.  If you would like more details about the controversy or about what exactly the changes will be, search for ‘Holmenkollen ski jump controversy’. 

If you get a chance to visit Oslo, I highly recommend taking the Tbane up to Holmenkollen to walk around the arena, climb the stairs to nearly the top of the jump, and enjoy the fantastic view overlooking the Oslofjord.  It really is incredible.  I’m sure it will look just as nice or nicer after the changes are made by 2011. 

 

Hunting in Norway.

My kjæreste (boyfriend) and I took our hund out yesterday pheasant (fasan) hunting.  Because our høst has been so kald with so much regn, most of the corn fields have not been harvested yet, and thus, it is difficult to hunt for fugler (birds) because they are protected by the corn.  We didn’t even see one fasan or any kind of bird that is legal to hunt, so it was quite disappointing.  I don’t have a hunting license and I don’t know that much about it, so for now, I just go along to be a spotter.

Being out yesterday got me thinking about jakt i Norge.  I don’t recall any of my friends in Norway being jegere (hunters), but I know some of my family members are.  I’ve done a little research on jakt i Norge that I’d like to share with you in case any of you are jegere or just curious about the topic and perhaps how reglene (the rules) and reguleringer (regulations) differ from your hjemland (home country). 

For starters, I think the age requirements for jakt i Norge and in the state that I live in, Minnesota, are interesting.  In Minnesota, a child can be certified and begin hunting at the age of 11 (which is before junior high).  In Norway, a child can take the proficiency test at age 14, but cannot begin hunting until age 16.  At age 16 in Norway, it is legal to hunt for small game and to trap (all but gaupe, or lynx, which one must be 18 to hunt).  Large game hunting is permitted at 18 years of age.  The age difference for jakt i Norge and the United States is not unlike the age difference pertaining to consuming alkohol, being able å kjøre (to drive), and participate in a krig (war) in the two countries.  In the U.S., a child is allowed to shoot a gun 10 years prior to being able to consume alkohol, kjøre en bil (drive a car) 5 years before he/she can consume alkohol, and kjempe i en krig (fight in a war) 3 years before he/she can consume alkohol. In Norway, the procession is quite different-one can gå på jakt and drikke alkohol 2 years before one can kjøre en bil or kjempe i en krig.

Enough political thought and more about hunting…

Similar to the United States and I’m sure many other countries, one must pay a fee to obtain a license to hunt.  In Norway, as long as the jeger has permission, he/she can hunt on government property, state common land (a feature of southern Norway, from Nord-Trøndelag to the south and then also in northern Norway), and private property.  As far as what kinds of dyr (animals) people can hunt, it all depends on one’s status as a citizen of Norway.  Foreigners can hunt in Norway, but there are more regler and reguleringer that apply to non-nationals that live in Norway.  The Directorate for State Forests and Land and the Municipal Common Land Boards are responsible for hunting and processing applications.  You can find more information if you consult these sources.

Lastly, I would like to mention dyr that are commonly hunted in Norway:

rype-ptarmigan/grouse                               gjess-goose

elg-moose                                                    hare-hare

hjort-deer                                                    gaupe-lynx

villrein-wild reindeer                                  ulv-wolf

bjørn-bear                                                    vadefugler-wading birds

sjøfugler-sea birds                                      bever-beaver

and the list goes on….

happy jakt!

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