Posts under Culture

Firmato Diaz

Posted by Serena

Here in Italy, as in many other parts of the world, it has long been fashionable to name one’s offspring after famous, or inspirational people. Once upon a time we Italians didn’t really have much choice about our first name, because the church decreed that it should be a ‘Christian name’ in the most literal sense. For females the most common one of course would be Maria, after La Madonna. My ‘Christian’ name for example is Maria Serena, my cousins are Maria Pia and Anna Maria, and I once had a friend with the wonderful name of Maria Etrusca (Etruscan Mary), oh how I envied her! In fact not so long ago in Italy our onomastico (name-day) was seen as more important than our compleanno (birthday), and people would receive gifts on the former rather than the latter.

Every day is a Saint’s Day. Today for example is Santa Laura, so if we see our friend Laura Vescovi later on it will be quite normal to wish her auguri (best wishes). Tomorrow will be ‘Santa Irene’, so anyone named Irene will celebrate her onomastico tommorrow.

All this leads me to a rather interesting and unusual first name: Firmato, and to discover its origins we need to travel back to the end of La Prima Guerra Mondiale (The First World War).

Armando Vittorio Diaz was the famous general and chief of general staff who in 1918 recovered what was left of the badly mauled Italian army and led them to victory against the Austrians. At the conclusion of the Battle of Vittorio Veneto, which ended WWI in Italy, Diaz issued, as a final address to the Army and the Nation, Il Bollettino della Vittoria (The Victory Bulletin). The Bollettino was probably written by General Siciliani, spokesperson for the General Staff.

Here are the final two paragraphs of the Bollettino della Vittoria: (You can find the complete text and a translation into English here).

 

L’Esercito Austro-Ungarico è annientato: esso ha subito perdite gravissime nell’accanita resistenza dei primi giorni e nell’inseguimento ha perdute quantità ingentissime di materiale di ogni sorta e pressoché per intero i suoi magazzini e i depositi. Ha lasciato finora nelle nostre mani circa trecento mila prigionieri con interi stati maggiori e non meno di cinque mila cannoni.

I resti di quello che fu uno dei più potenti eserciti del mondo risalgono in disordine e senza speranza le valli, che avevano disceso con orgogliosa sicurezza.

Firmato Diaz

 

Note the signature at the end of the Victory Address: ‘Firmato Diaz’, meaning ‘signed Diaz’. In the waves of patriotism following the Italian victory the entire Bollettino della Vittoria was frequently memorized by school children, always ending with those proud words ‘Firmato Diaz’. Many uneducated contadini (peasants) were very taken by the sound of those closing words, and erroneously believing Firmato to be  Diaz’s first name baptized their newborn sons Firmato (Signed).

Do you know anyone with an unusual name? Please share it with us in the comments section below.

 

Una Gita a Zeri

Posted by Serena

Lunigiana, in the very north of Toscana, is a nature lovers paradise, and we are lucky enough to live there! You could spend a lifetime exploring the spider’s web of sentieri (footpaths) and ancient strade comunali (communal roads) that connect the many little towns and villages tucked away in its green hills. You can also learn a lot about the history and traditions of Lunigiana by taking the time to ‘fare due chiacchiere’ (have a chat) with the locals, who are traditionally very hospitable.

A few days ago we decided to explore a part of Lunigiana that we’d never visited before which is called Zeri, and is located close to the border between Toscana and Liguria. Zeri is fairly unique in that it doesn’t exist as a single place but is, instead, a collection of villages dispersed over a high altopiano (plateau) furrowed by the valleys of three rivers: Il Gordana, Il Teglia, and L’Adelano. Being a posto sperduto (out of the way place), and relatively inaccessible, life there seems to be frozen in a time warp, just the sort of place we enjoy exploring!

We began our walk near the village of Noce. Anyone who has tried trekking in Italy will know that the only maps available are quite out of date, and not very reliable. So rule number one, and here is a big incentive for improving your Italian, always ask the locals. A few meters from our car we saw an old lady sweeping her terrazza, and my husband promptly began quizzing her about the location and state of the sentiero that we had hoped to follow. “Non ci si passa più!” (you can’t get through anymore!), was her prompt reply. She advised us instead to follow the old strada comunale (basically a paved mule track) to Coloretta, once the only means of reaching the next village before the Strada Provinciale was built. She gave us surprisingly precise directions, which included, of course, a bit of her life story, because people living in these remote villages are generally quite content to pass the time of day with a forestiero (outsider).

As advised, we followed the lovely old trail through the little stone village of Noce and then out across hilly pastures dotted with pecore (sheep) and capre (goats). One thing that we noticed straight away was the large number of maestà (wayside shrines, also called madonnine) which appear at regular intervals along the old strada. Unfortunately unscrupulous ladri (thieves) had been at work on several of them and had pried out the marble lapidi (stones carved with a holy image) in order to sell them on the antique markets.

Having crossed a small torrent near an old ruined mill, we ascended the other side of the valley, and soon found ourselves in the piazza at Coloretta. Apart from a few newish cars there was nothing to break the illusion that time had ceased here sometime in the 1970’s, certainly some of the faded window displays hadn’t changed since that time! In the boot of one of those newer cars, the arrotino (knife grinder) was at work with a small electrical grind stone hooked up to his car battery, sharpening an assortment of kitchen implements for the local casalinghe (housewives).

Lunigiana is a small world, and it wasn’t long before a familiar face appeared, Beppe the pescivendolo (fishmonger), who spends two days a week travelling around the winding mountain roads in this area selling his wares in all the local villages. We didn’t have much time to chat because he soon had a queue of casalinghe next to his little van/shop, he did recommend, however, that we continue our exploratory walk to another nearby village called Castello.

As you may have guessed from its name, Castello did once boast a real castello (castle), although all that remains today are a few rather indistinct low piles of rubble. As is often the case where good quality building materials are hard to come by, it seems that most of the castle has been ‘recycled’ over the centuries, and what was left had mostly been dismantled by the local kids, as was testified to us by an old man that my husband ‘interrogated’: “Sì, una volta c’era un castello in cima a quella collina lì” (Yes, there was once a castle on that hill over there). “Da bambino si vedevano ancora dei resti dei muri” (when I was a boy you could still see some remains of the walls). Io ci andavo spesso a giocare con i miei amici, e buttavamo i sassi giù nella valle, era l’unico divertimento che avevamo!” (I often went there to play with my friends, and we used to throw the stones down into the valley, it was the only entertainment we had!). So, that was end of the castle! I suppose that the kids of today would have been too busy playing with their Nintendo’s or cell phones, and hence a piece of our heritage would have been saved from their destructive games.

We did manage to glean some interesting pieces of information from a sign located near the remaining piles of rubble. However, as is often the case in these little places, it told us more about the morals and attitudes of the period and the place itself than any precise historical data. Here is what the sign said:

Castello prende il nome da un preesistente castello che si ergeva sull’altura a nord del paese. Oggi sono solamente visibili i resti del “Castrum Zirri”, la base di una torre, un muro di cinta e massi di colore verdastro. Secondo la leggenda, il castello era possessione dei marchesi Malaspina e l’ultimo discendente fu ucciso con una fucilata dal padre di una ragazza della famiglia degli “Osti”. La fanciula infatti era promessa sposa ad un giovane del paese, ma il  Malaspina voleva esercitare lo “ius primae noctis”. La ragazza non voleva, ed era disperata. Il padre allora attese che il marchese si affacciasse alla finestra come era solito fare tutte le mattine alle undici, e gli sparò uccidendolo!

Translation:

Castello takes its name from a preexisting castle which stood on the high ground to the north of the village. Today, only the remains of the ‘Castrum Zirri’ are visible, including the base of a tower, an encircling wall, and some large greenish boulders. According to the legend, the castle was in the possession of the  Marquis Malaspina, and the last remaining descendent was shot to death by the father of a girl from the Osti family. The lass was in fact engaged to be married to a local boy, but the Malaspina wanted to exercise his right of “ius primae noctis” (literally: the right to the ‘first night’. In the middle ages some feudal landlords reserved the right to spend the wedding night with the newly wed brides of their subjects in place of their husband). The girl didn’t want this, and was desperate. The father therefore waited until the marquis leaned out of his window as he usually did every morning at 11 o’clock, and he fired his gun and killed him!

Ah, the good old days!

 

La Festa della Santa Croce

Posted by Serena

By far the most important religious and social event that takes place in Lucca is La Festa della Esaltazione della Santa Croce (The Festival of the Exaltation of the Holy Cross) which happens each year on the 13th and 14th of September. This year, for the first time in ages we decided to go into Lucca on the evening of the 13th to witness the most spectacular part of the celebrations, la processione notturna a lume di candela (the nocturnal procession by candlelight) which is known as La Luminara. As with most things that we revisit after years of absence, the candlelit procession didn’t quite live up to my expectations. For example, I had remembered all the city lights turned off, and the streets illuminated only by candlelight and of course it wasn’t quite like that. For a start there were the television cameras to accommodate, with their dazzling spotlights in Piazza San Martino somewhat detracting from the beautiful facade of Il Duomo (The Cathedral) which was otherwise lit only by flaming torches. The spotlight were also ‘fortuitous’, I suppose, for all the participating local town mayors and politicians who would naturally want to be as visible as possible on the Lucca TV station, or am I just succumbing to Italian cinismo! Nevertheless, it is still a very pretty sight, with literally thousands of candles decorating the buildings located along the route taken by the lenghty procession.    

The festival, which has taken place for many centuries, is based on the culto del Volto Santo di Lucca (cult of the Holy Effigy of Lucca), a cult once widespread throughout medieval Europe. The Volto Santo is in fact a famous crocifisso ligneo (wooden crucifix) which has a number of fascinating legends surrounding it. This famous depiction of Christ on the cross is believed to have been carved out of a Lebanese cedar tree by Nicodemus, whose hand, it is said, was guided by angels. During the time of the crusades and the persecution of the Christians, many such religious relics were hidden away to avoid their destruction. At some point, in order to ensure its safety, the Volto Santo was placed on a crewless boat and entrusted to the waves of the open Mediterranean sea. Having crossed the Mediterranean, and survived attacks by pirates, it was eventually washed up on the shore at Luni on the Tuscan coast. There then ensued many longwinded arguments between the Lunigiani and the Lucchesi over who should take possession of it, and where it should be placed (hmmm, nothing changes!), which were finally resolved by entrusting it once again to the laws of chance (as I said, nothing changes!). The Volto Santo was placed on a cart drawn by two wild oxen who of their own accord took the road to Lucca, and ecco fatto its fate was decided.

Initially, the Volto Santo was placed in the church of San Frediano, however the following day it disappeared, only to mysteriously turn up on the other side of town in a vegetable plot near  the Duomo di San Martino. This was taken as an indication by the Volto Santo that it preferred S.Martino, and it still resides there to this day. Every year, the crucifix’s journey between S.Frediano and S.Martino is commemorated by the famous candlelit procession through the streets of Lucca. The procession is so long that by the time the head of the procession is entering S.Martino, its tail is still within S.Frediano.

 

 

 

A night at the opera

Posted by Serena

‘O.K., before all you opera fans start getting excited I will openly admit that on the whole I’m not that keen on it. That is, I’m not completely adverse to some of the tunes, especially the famous arias such as Nessun Dorma, but I wouldn’t normally go out of my way to see a performance, in fact to be honest there are certain soprano voices that have the same effect on me that the dragging of fingernails across a blackboard have on other people! However, it just so happened that this summer a friend of ours offered to take us to a performance of Puccini’s Turandot at the famous open air opera house perched on the shore of Lago di Massaciuccoli near Torre del Lago in Tuscany.

I don’t really want to go into much detail about Puccini as I’ve already written an article about him here, suffice it to say that Torre del Lago is the place where Puccini lived and composed his famous operas for many years. Being a nature lover, Puccini always dreamt of having his works performed in the open air against the backdrop of Lago di Massaciuccoli, and in August 1930 his dream became a reality for the first time when a performance took place on a temporary stage in front of the maestro’s house. Later, in 1966 the Puccini Festival became an annual event, changing its location to an upgraded open air theatre on a nearby piece of reclaimed land. More recently the Comune di Viareggio purchased a large area of land on the lake shore near Villa Puccini and created the Parco della Musica, the centerpiece of which is Il Teatro dei Quattromila (The Theatre of 4,000), so named for its seating capacity, although in reality it only seats 3,200 spectators, but hey we Italians are not adverse to a little ‘exaggeration’.

Allora, my impressions of our night at the opera, what indelible memories have I carried away from this unique experience?

Firstly, getting there: in typical Italian style this famous location was sparsely signposted, priority having been given to those kind of multistory signposts which indicate every bar, albergo, factory, municipal police station etc. etc. within a 10 km radius, but never mention the thing that you’re actually looking for. However, informed guesswork finally took us in the right direction, well, when I say informed guesswork what I mean is we just followed the massive crawling traffic jam of cars crammed with what were obviously, judging by their attire, ‘Opera Buffs’.

With the opera about to start, and no car park in sight, we democratically kicked my husband out of the car to go and find the biglietteria and pick up our prepaid tickets. Opening the door of our air conditioned car my husband emerged into the humid heat of a sultry August evening to be swept away into the darkness by the torrent of late opera goers, however he accomplished his mission admirably and we finally found our seats in the impressive modernistic amphitheater just as the show was about to begin.

Memorable impressions: the imposing modernistic amphitheater only seemed to have one toilet for the 3,000 odd spectators, hence most of the first 30 minute interval was spent queuing to fare il bisognino (relieve oneself); lots of ‘Opera Buffs’ attired in their, to our ‘country bumpkin’ eyes, slightly ridiculous abiti da sera (evening dress), which included some outrageous wedding cake style dresses worn by le signore, while the men sported some seriously expensive indumenti firmati (designer clothes).

The highlight of act two was a splendid electrical storm over the nearby Alpi Apuane which threatened to overshadow the spectacle of the opera (not a difficult task in my opinion), and came close to answering the question that we had all asked ourselves: ‘what happens when it pours with rain on 3,000 spectators in an open air theatre?’ Then there was the impromptu cacophony of the local dogs as they added their contribution to the chorus. Actually this quite livened up the performance, as did the occasional wafting of a disco beat from the alternative nightlife of a nearby beach resort.

Oh yes, I nearly forgot, the opera itself, Turandot: three hours with only one major set change, an unintelligible storyline (should have done my homework beforehand), my husband summed it all up with one of his favorite phrases, ‘Suddenly………….nothing happened!’ yet just as total brain death began to seem inevitable along came the magical Nessun Dorma, and somehow it all seemed worthwhile, almost.

But the most exciting part was yet to come, the Gran Finale of the evening, ‘Escape from Torre del Lago’.

Occasionally my husband has good ideas, and as he unfolded his cunning plan we began to realize that this was one of them. Having observed the chaos of the parking arrangements, and the massive queues for the bar and toilets, he wisely suggested that on hearing the final note of the opera we should run for it in a desperate attempt to get to our car and hit the road before the other 3,000 members of the audience realized what was happening. The only snag was that none of us knew Turandot, so how could we be sure when the last note arrived? Yet after one or two false alarms (Puccini liked to draw his endings out), the biggest and loudest note of all finally came and before the first pair of hands had begun to applaud we were off and heading down the stairs, followed by the thundering feet of the best part of three thousand other opera lovers who had all had the same great idea. Oh how I enjoy an evening of culture!

 

 

Mike Bongiorno, il Re del Quiz

Posted by Serena

On the 8th September 2009 Mike Bongiorno, il Re del Quiz (The King of the Quiz), passed away from a heart attack, aged 85. Born in the United States of an Italian mother and Italian-American father, Mike Bongiorno was one of the very first Italian television presenters, having been on air since the birth of the new media in January 1954. He has always been considered Italy’s ‘King of Quiz’ largely because it was him who introduced the quiz show concept to Italian TV. The first of these was named Lascia o Raddoppia? (Leave or Double), the Italian version of an American show called The $64,000 Question. This show was so successful with audiences that cinemas all over Italy had to stay closed when the program was broadcast every Thursday night between 1955 and 1959.

Following his early success Mike Bongiorno went on to presente an incredible series of popular games, inducing the writer Umberto Eco to pen an essay in the early Sixties entitled Fenomenologia di Mike Bongiorno (A study of the Mike Bongiorno phenomenon). In his study, Eco sustains that the success of Mike Bongiorno is due to his “absolute mediocrity”, in other words the spectator sees his/her own mediocre limitations glorified. Mike Bongiorno was also famous for his many gaffes, which included asking a widow about her husband’s health, or making mistakes while reading the questions and not noticing them, a factor which also contributed to the sense of mediocrity presented in the shows. But these famous gaffes were one of his trademarks and made him a more memorable personality, therefore they were never edited from his shows, even when the programs were prerecorded.

One of his most important shows was Rischiatutto (Risk Everything) broadcast from 1970 to 1974, which introduced the ‘technology’ element, special effects, and even la valletta “parlante” (the “talking” assistant) to TV. But Mike Bongiorno was more than just a quiz show presenter, he was also the person who introduced pubblicità (commercials) to Italian TV, including quiz shows sponsored by private businesses, such as car, or clothing manufacturers, who gain publicity through the show.

Mike Bongiorno was un infaticabile lavoratore (a tireless worker) and, despite his age, he was still active and working up until the day he died, in fact he was scheduled to start a new show later this year.

I will end with Bongiorno’s famous trademark exclamation:

Allegria!