Posts under "Art"

The film director Mario Monicelli was born in Viareggio (Tuscany) in 1915, began his cinematic career in the early Thirties, and directed his last film in 2006, aged 91! He is considered to be one of the fathers of la Commedia all’Italiana (Italian comedy), and amongst his greatest films are "I soliti ignoti", "L’Armata Brancaleone"  and "Amici miei".

In "I soliti ignoti" (1958) there is a memorable scene in which Totò (the most famous Italian actor at that time) teaches a hopeless group of would be robbers how to crack a safe. The "class" takes place on the rooftop terrace of an apartment block behind some curtains, and when the police come along to investigate what is going on Totò pretends his pupils are a choir rehearsing Christmas carols.

After many more comic peripezie (misadventures) the gang ends up breaking into the wrong apartment, and all they find is an alarm clock, and a big saucepan of pasta e ceci (chickpeas and pasta soup) which they eat with great pleasure!

A remake of "I Soliti Ignoti" directed by Anthony and Joe Russo, and starring George Clooney, was released in 2002 under the title of "Welcome to Collinwood".

Monicelli didn’t only direct comic films, but also focused on the use of satire, and probably my favorite film in this genre is "La Grande Guerra" (The Great War), from 1959, with Alberto Sordi and Vittorio Gassman, two "maestri" of the Italian cinema. The film was Oscar nominated in 1960 as best foreign film, and won the Leone d’Oro al Festival del Cinema di Venezia. The film is a perfect combination of comedy and tragedy, in which the two main protagonists portray cowardly soldiers who would do anything to avoid danger, but ironically end up dying as unsung heroes. See this link for the full synopsis (in Italian): http://it.wikipedia.org/wiki/La_grande_guerra

Mario Monicelli died in Roma on Tuesday the 30th of November, aged 95. He appears to have committed suicide by throwing himself from the window of his hospital room, where he was undergoing treatment for prostate cancer. The following day, when the news of his death became public, University students who where protesting all over Italy against the new University reforms started singing the main theme from Monicelli’s film "L’Armata Brancaleone" (1966), adopting it as their grido di battaglia (battle cry)Branca, Branca, Branca, Leon, Leon, Leon, Fiii… Boom!

Last week here in Italy was ‘Settimana dei Beni Culturali’, an annual event that offers everyone free admission to all national galleries and museums. This year we decided to go to Parma, which is just an hour up the road from us, and to visit, amongst other things, La Galleria Nazionale which is housed in Il Palazzo della Pilotta.

Our occasional days out in the city, trying to absorb relatively minute portions of the vast array of treasures that reside here in Italy, always leave us replete but rimbischeriti! (mentally exhausted!, see my blog Che Stanchezza part 2). However, amongst the blurred amalgam of memories from our trip to Parma, two in particular stand out: Il Teatro  Farnese, about which I will write in a future blog, and ‘un ritratto incantevole di Leonardo da Vinci detto ‘La Scapigliata” (an enchanting portrait by Leonardo da Vinci called ‘La Scapiglita’).

Wandering through seemingly endless corridor-like rooms, adorned with the usual religious works of art that fill just about every gallery in Italy, we turned a corner into a small dimly lit area where Geoff, by this stage already reaching the rincretinito (brain dead) stage, glanced to his left and stood transfixed, mouth open for several seconds before exclaiming "Leonardo!"

The sudden unexpected appearance of this small portrait, only 21 by 25 centimeters, so full of tenerezza (tenderness), of stillness and movement, almost seeming to contain an inner light, ci faceva venire i brividi lungo la schiena! (made our spines tingle!)

La Scapigliata 

Scapigliata means disheveled, and is related to the word capigliatura (hair), hence the name ‘La Scapigliata’ (‘The Girl with Disheveled Hair’). The painting, executed in olio su tavola (oil on board), is dated to around 1508, and is described as ‘unfinished’, yet to me it is perfect just as it is. I have always loved bozzetti (artists sketches) much more than ‘finished’ works of art which so often loose that sense of spontaneous passion expressed by the artist whilst under the influence of his/her initial spark of ispirazione (inspiration, from the word inspirare, meaning ‘to breath in the divine influence’). It was fascinating to stand aside and observe the effect that this little artistic gem had on everyone who turned that corner and laid their eyes on it. Young and old stood mesmerized, reverential, speaking in hushed voices before a work of genius created just over 500 years ago.

Adesso basta! (that’s enough), because words are futile in the face of such beauty. However, if you wish to know more about La Galleria Nazionale di Parma, and the works contained therein, here is a link to  to a wiki page (in Italian) dealing with the subject:

http://it.wikipedia.org/wiki/Galleria_nazionale_di_Parma

 

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