Posts tagged w/ novel

An Ghaeilge sa Leabhar _Galway Bay_: “Guilpín,” “Grá” agus Go Leor Eile

Posted by Róislín

Oíche Fhéile Eoin, an 23ú lá de Mhí an Mheithimh, 1839, i mBearna, Co. na Gaillimhe.  We’ve been talking quite a bit lately about Samhain, but now we’ll jump 2.5 seasons forward, and discuss some of the Irish phrases used in the highly praised novel, Galway Bay, by Mary Pat Kelly.  The author is currently on tour sna Stáit Aontaithe and might be coming go dtí do cheantar féin (to your area, if it’s PA, CT, or CO).

 

The opening setting of the book is as described above, St. John’s Night, June 23rd, 1839, in the fishing village of Barna, just west of Galway.  Many of the characters are based on the author’s own ancestors and would have been Irish speakers.  Although the novel is written i mBéarla, Irish phrases are sprinkled ar fud an leabhair, giving local flavor and some extra incentive to foghlaimeoirí na teanga. 

 

While many úrscéalta stairiúla adopt this literary style, most don’t carry it through to the extent that Kelly does.  The gluais at the end of the book could easily be twice as long if Kelly had glossed all the examples of Irish in the book.  She says it’s intended to be “helpful, not definitive,” so it doesn’t include absolutely every occurrence of Irish.  The glossary stands at trí leathanach, and unlike many glossaries, includes fuaimnithe (pronunciations).  That’s three pages without getting into the meanings of family and place names, which are sometimes examined in the course of the novel, and which could easily triple méid na gluaise.  I’m not going to vouch for all the spellings, but the flavor and background is certainly there.   Some are Gaeilge go hiomlán, some are galldaithe (anglicized), and some are idir eatarthu.  Which more or less reflects the situation of two languages in contact.

 

Seo cúpla sampla:

 

guilpín, a lout (GYIL-peen).  I wouldn’t really advise calling anyone a guilpín, but if you do, remember that in direct address, the word gets lenited, just like proper names, with “h” added after the first consonant.  So it becomes, “a ghuilpín,” and is pronounced with the voiced velar fricative, i.e. deep in the throat, not the regular “g.”  

 

On the more affectionate side, we have a range of terms of endearment, such as “a ghrá” (love), also pronounced with the voiced velar fricative, “a ghrá mo chroí,” (love of my heart), which has both the voiced (gh) and the voiceless velar fricative (ch), and the far simpler (pronunciation-wise) “a rún” (dear).  For that, you just need the Irish flapped “r,” like the very beginning of a trill, but cut short.  You might also recognize an Irish term of endearment that has actually become popular lately as a girl’s name, alanna, from leanbh ([LYAN-uv, note it’s two syllables] child).  These phrases are, of course, all in direct address, which accounts for the particle “a” at the beginning of each phrase.  In the case of “alanna,” it’s “ionsuite” (built-in). 

 

Some place name elements are also explained, like tobar (well), ráth (ring fort), and ard (a height, high place).  We also get some terms for buttercups, honeysuckle, and St. Dabeoc’s heath, but I’ll let you discover those for yourself!

 

 

As for St. John’s Night, aka Bonfire Night, this coincides closely to Midsummer according to the Celtic calendar, where an samhradh started on Lá Bealtaine (May 1).  So it’s surely not by chance that Kelly’s novel starts at this time of year, imbuing every action with embedded meaning for the future.  The protagonist (and the actual sinsinseanmháthair of Kelly herself) is Honora Kelly, and suffice it to say here that the events of that St. John’s dawn determine the question of an clochar vs. an saol pósta.   Not deliberate divination, as might have occurred on Oíche Shamhna, but nevertheless, we basically have the appearance of a strainséir ard dubh, and the fact that his first appearance is in his “culaith lá breithe” (to semi-coin a phrase), no doubt keeps the reader “gafa” (engaged). 

 

Remaining tour events are in Villanova, PA (Nov. 3), Fairfield, CT (Nov. 7), and Ft. Collins, CO (Nov 22) and details are available at www.MaryPatKelly.com

 

Fuaimnithe: fhéile [AYL-yeh, silent “f”], mhí an Mheithimh [vee un VEH-hiv, note 3 silent m’s]; go dtí [guh djee]; leathanach [LYA-hun-ukh]; sinsinseanmháthair [shin-shin-shan-WAW-hirzh],

 

samhradh [sow-ruh or sow-roo, with the “sow” like American “cow” or “now”].  Again, I’m bailing out for pronunciation based on na gutaí Albanacha, or even some of the gutaí Briotanacha, at least for now.  Soon I’ll need a pronunciation guide for the pronunciation guide!  The IPA for this sound is /au/, if that helps. 

 

 

Logainmneacha Ceilteacha agus Náisiúntachtaí a Sé: Celtic Place Names and Nationalities 6 – Cornwall and the Cornish

Posted by Róislín

We’ve recently discussed the place names Albain, Éire, An Bhreatain Bheag, Oileán Mhanann, and An Bhriotáin.  Today we’ll turn to Cornwall.  Below you’ll find some examples of how to use the place name and how to indicate that a person or thing is Cornish.  Cornwall is called “Corn na Breataine” (horn of Britain) or sometimes “An Corn” in Irish. 

 

Cornach, a Cornishman or person.  Like the terms “Éireannach,” “Albanach,” “Breatnach,” “Manannach,” and “Briotánach,” it can be made feminine, “Cornach mná,” but, as I’ve previously mentioned, this form is rarely used.  The feminine form basically means “a woman Cornishman.” 

 

an Cornach, the Cornishman.  Cornach is also the adjective form.

 

 Some phrases with the place name “Corn na Breataine” include:

 

i gCorn na Breataine: in Cornwall

 

go Corn na Breataine: to Cornwall

 

muintir Chorn na Breataine: the residents of Cornwall

 

 In an interesting twist, the mineral cornwallite is “cornuaillít” in Irish, adapting the “-wall” suffix into Irish spelling. 

  

In a further interesting twist, the two main plant names that in English are designated as pertaining to Cornwall, Cornish heath and Cornish moneywort, lose the Cornish element in their Irish names, which are, respectively, “fraoch gallda” (lit. foreign heather – remember, the perspective is Irish here) and “pingin Dhuibhneach” (lit. penny from Corca Dhuibhne, a region in Co. Kerry).  I’ll let the Cornaigh and the Duibhnigh hash out the plant’s true origins among themselves – our concern here is terminology!

  

“Cornish hen,” the term I thought would be a “shoo-in” to exemplify Cornishness in popular culture and the lenition of feminine singular adjectives in Irish grammar, turns out to be a “shoo-out.”  The situation’s not straightforward at all.  One might think we’d simply use “cearc” (hen) plus “Chornach” (the feminine form of the adjective).  Mícheart (incorrect)!  First of all, this cearc goes by at least four other names (Cornish game hen, poussin, Rock Cornish hen, and Rock Cornish), thickening the plot considerably.  Secondly, it may refer to a specially bred chicken, slaughtered young and designed for one serving.  It isn’t a game bird and can be male or female, so isn’t always a “hen.”  Furthermore, the French word “poussin,” sometimes equated with “Cornish hen,” has two meanings in English, being the “Cornish game hen” in U.S. English and referring to an even smaller and younger bird in U.K. English.  So aside, from noting that the “Rock” element refers to Plymouth Rock, highlighting Cornish Rock’s American origin, I will respectfully bail out of this attempt to Gaelicize Cornish hens.  One might think that the Cornish hen was an indigenous breed, small in size to adapt to the rugged terrain in which it lived, like Kerry and Dexter cattle or Shetland ponies, ach ní mar sin atá sé (that’s not how it is).  Fascinating in their own right, those animals will be featured i mblag éigin eile. 

 

So what’s left to exemplify the adjective “Cornach” in context?  Our last place name feature added the tasty element of crêpes, the Breton specialty.  Although I don’t know of any North American bialanna (restaurants) specializing in Cornwall’s famous culinary creation, the Cornish pasty, we can at least offer the Irish name for it, pastae Cornach.  These pastries were stuffed with meat, potatoes and other vegetables.  They have a folded-over crust and were thus distinguished from pióga feola (meat pies).  Their shape supposedly made it safe for miners to eat their lunch, since they couldn’t always clean the coal dust, which might contain arsenic, off their hands.  According to tradition, the miners discarded the corner of the pastry, which they had touched with their fingers, saying it was for the “knockers.”  

 

 Yes, those are the same supernatural beings who loosely provided the inspiration for Stephen King’s The Tommyknockers.  They would warn miners of possible disasters, at least, one presumes, if you kept them well fed with pasty crusts.  One of these days, I’ll have to check King’s novel, to see if he feeds them properly!

 

And if you are in North America and want to sample pastaetha Cornacha (that’s the plural), you can find them at special events such as the Pasty Fest in Calumet, Michigan, and special church suppers in Cornish-settled parts of Pennsylvania, such as Bangor and Pen Argyl. 

 

 This finishes the series of Celtic place names and identities, at least for the modern period.  One of these days we’ll practice saying, “I am an ancient Gaul,” but for the immediate future, it will probably be more practical to work on phrases such as “Gael-Mheiriceánach” (Irish-American) or Gael-Cheanadach (Irish-Canadian) and to introduce such basics as “American” and “Canadian” in their unlenited forms.  Stay tuned!  – Bhur mblagálaí, Róislín