In a previous post, I discussed belly dancing and various perceptions of it. The negative perceptions of belly dancing and other forms of folkloric performance in Egypt have been improved considerably by the great work of the Reda Troupe (فرقة رضا).

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The Reda Troupe started in Egypt in the late fifties; it endeavoured to revive Egyptian folkloric dance and improve its status as a distinctive aspect of Egyptian culture. Reda Brothers (محمود رضا وعلي رضا) deserve credit for its establishment and success. Mahmoud Reda was the lead dancer and choreographer; Ali Reda composed the music. In the beginning, the troupe had 13 female dancers, 13 male dancers, and 13 musicians; they were all university students and graduates.

http://www.youtube.com/watch?v=2wWLlnWpB9Y&feature=related

The first performances for the troupe were in fifties, but then the troupe was nationalized in 1961, and the Reda Brothers became its managers. One of the leading characters of the troupe is Farida Fahmy (فريدة فهمي), the lead female dancer and choreographer.

http://www.youtube.com/watch?v=TxnEHOElY1c&feature=related

The Reda Troupe revived and renewed many types of folkloric dances in Egypt. The troupe lead two films (أجازة نصف السنة) “The Mid-year Holiday” and (غرام في الكرنك) “Love in Karnak”.

http://www.youtube.com/watch?v=AfeDMDq0Wdc&feature=related